L O R C A

BLOOD
WEDDING

uses Langston Hugh's translation

the production merges both the naturalistic and metaphorical elements of the drama. Movement rises to flamenco, as characters stomp staccato messages. In the background we hear Spanish strains with a flavor of jazz. At one point, three young women become entwined in a cat's cradle of red string as they sing about winding a symbolic skein of wool

MEL GUSSOW

director, Melia Bensussen
at the Joseph Papp Public Theater
http://query.nytimes.com/gst/fullpage.html?res=9E0CE1DE163EF936A25756C0A964958260

E L PU B L I C O


http://query.nytimes.com/gst/fullpage.html?res=9905E0D61539F932A15756C0A96E958260










Y E R M A

a barren woman is convinced to blame her husband

Repertorio Espanol
director, Rene Buch

The text is like an analytical session conducted by a poet with the verbal power to transform a patient into a tragic heroine.

D. J. R. BRUCKNER
THE NEW YORK TIMES

http://query.nytimes.com/gst/fullpage.html?res=9C0DE6DD153DF935A35751C0A96E958260



T H E
H O U S E
O F
B E R N A R D A
A L B A

http://theater2.nytimes.com/2006/03/07/theater/reviews/07alba.html